WEAA offers an exquisite mixture of music programming, with a focus on artists, not labels. Our music is rooted in mainstream and contemporary jazz and is complimented by gospel, blues, reggae, world music, and hip-hop and even house music.
The relationship between jazz and boxing goes back to the pre-civil rights era, when entertainment and sports were some of only professions in which African Americans could excel. Miles Davis paid tribute to the first African-American world heavyweight champion on his 1971 album, Jack Johnson. Now Steve Coleman has released his own musical tribute to boxing: an album called Morphogenesis.
A two-time Grammy winner, bassist Eddie Gomez has been on the cutting edge of music for more than four decades. He has held down rhythm sections and set the groove for some of the heavyweights of jazz — from Bill Evans to Miles Davis to Chick Corea.
In 1959, the peak of his playing years, Thelonious Monk did something he'd never done before: record music for a film. Released in the U.S. as Dangerous Liaisons, the French film Les Liaisons Dangereuses featured nearly 30 minutes of Monk's music, none of which ever made it to a record. But the master tapes resurfaced last year, and were first released as a vinyl exclusive on Record Store Day this April.
A prolific author and jazz critic for more than half a century, the late Nat Hentoff (1925 — Jan. 7, 2017) wrote for publications including the Village Voice, Down Beat, The New Yorker and The Washington Post.
For more than 30 years, pianist and composer Joyce DiCamillo has led her own trio, which critics hail as "a compact unit that breathes almost as one." A dedicated educator, DiCamillo appears in high schools and universities around the country and is a model for women in jazz.