WEAA offers an exquisite mixture of music programming, with a focus on artists, not labels. Our music is rooted in mainstream and contemporary jazz and is complimented by gospel, blues, reggae, world music, and hip-hop and even house music.
There's no shortage of poignant moments in I Called Him Morgan, Kasper Collin's mesmerizing new documentary about the life and death of jazz trumpeter Lee Morgan. One moment, about half an hour into the film, has stuck with me since I first saw it, lingering like an afterimage or the hook from a song.
Daymé Arocena must be an old soul. She's a bright, young singer with a surprisingly mature voice that's deep and dynamic. Her spirit is exuberant and her style is rich, steeped in Cuba's African rhythms and Santería culture and influenced by Whitney Houston, North American pop and jazz.
This is some nasty, nasty jazz. Featuring saxophonist Matt Nelson (Battle Trance), bassist Tim Dahl (Child Abuse), and drummer Nick Podgurski (New Firmament, Feast Of The Epiphany), GRID's debut album bubbles up from the East River like a toxic monster amalgamated from New York's improvised and extreme music scenes.