Talia Schlanger

Talia Schlanger is a host and radio producer at World Cafe, produced by WXPN, the public radio service of the University of Pennsylvania. Schlanger joins the World Cafe team straight from CBC, Canada's public broadcaster, where she hosted a triple-A radio show on Saturday and Sunday mornings. She was the on-camera host for two seasons of the CBC television series CBC Music: Backstage Pass, which saw her interview some of Canada's best and brightest artists. Schlanger also hosted several prime-time music TV specials for CBC, including the Quietest Concert Ever: On Fundy's Ocean Floor featuring Serena Ryder, CBC Music SongCamp and the CBCMusic.ca Festival Special 2015. Schlanger served as the the interim host of CBC Radio 2's Canada Live and was a regular guest host on CBC Radio One's flagship artist and culture show q. She also filled in on Canadian current-affairs radio shows including As It Happens, Day 6 and Because News. Some of her favorite music interviews include St. Vincent, Tanya Tagaq, John Fogerty, Barenaked Ladies and Grimes.

Schlanger's first project at CBC was as a producer for CBC Music Presents: The Beetle Roadtrip Sessions, a cross-country rock 'n' roll road trip which won a Canadian Screen Award in 2014. She was also the digital producer for Hockey Night In Canada Song Quest, CBC Music's search for the next great hockey song.

Born and raised in Toronto, Schlanger is a proud alumna of Ryerson's Radio and Television Arts program. She's also a professional actress, singer and voiceover artist. Schlanger spent most of 2012 performing in the first national tour of Green Day's rock opera, American Idiot, at various theatres throughout the United States. (She thought she would be really cool when she met Billie Joe Armstrong after he watched American Idiot. She was not cool at all.) She has also performed on stage with Mirvish Productions' original Canadian company of We Will Rock You, as well as in the ensemble and understudying lead roles in Scaramouche, Oz (Canon Theatre, 2007/2008), and in Mamma Mia! (Royal Alexandra Theatre, 2003/2004).

It takes a long time to fly from Australia to the U.S. Depending on how many stops you have and what your final destination is, you're probably looking at 24 hours plus. And similarly, it can take a long time for Australia's finest musicians to fly across the airwaves in the U.S.

Ever since he released his 2009 solo debut Pink Strat, I've always thought of Afie Jurvanen, better known as Bahamas, as a captain of cool breeze sound — easy, inviting and a little sideways. But this time around, Bahamas recruited the rhythm section featured on the album Black Messiah by D'Angelo and the results on his latest album, Earthtones, rest firmly in a funky pocket of groove.

I gotta say I had a bit of a hard time holding it together during this session. Sitting in a room two feet away from Glen Hansard as he plays an acoustic guitar is transcendent. When we were talking, he was this warm, gregarious storyteller, but as soon as he started to sing, Glen summoned so much force and conviction and blood, that I forgot there was anything else in the entire world. And you'll hear that in my reactions.

There is a lot that's disarming about Sunny War. She has that kind of raw, rare talent of a guitarist that stops you in your tracks.