Suraya Mohamed

Suraya Mohamed is a three-time Peabody Award-winning producer, sound designer and editor. She currently serves as the project manager for Jazz Night In America and is a contributing producer on the Alt.Latino podcast. She also produces NPR's holiday specials package, including Tinsel Tales, Hanukkah Lights, Toast Of The Nation, Pink Martini's Joy To The World: A Holiday Spectacular and most recently Hamilton: A Story Of US. You'll also find her work on the Tiny Desk series as either a producer or engineer.

A graduate of the Peabody Conservatory of Music's with degrees in Viola Performance and Recording Arts and Sciences, Mohamed specializes in music and technology. Her Tonmeister (German: "sound master") classification is punctuated by her experience working as both an engineer and a producer in many genres.

With a wide range of musical interests and experience, Mohamed played bass in a high school go-go band, has worked as a substitute violist with the Baltimore Symphony Orchestra and currently performs with a Washington, D.C., indie-rock band.

Last month, the National Endowment for the Arts crowned four new NEA Jazz Masters, including Todd Barkan, a jazz advocate whose early interest in Latin jazz piano turned into a successful five-decade career as a prominent impresario, club owner and record producer. Guitarist Pat Metheny continues to redefine the parameters of his instrument through innovative technique and signature sound. Pianist Joanne Brackeen's unique style commands attention, and Dianne Reeves has become one of the world's preeminent jazz vocalists, whose genius in retrospect seems ceaseless.

Logan Richardson's latest project, Blues People, is a condition, a state of being. The album was derived from the early slave calls that inspired the earliest American jazz and blues musical traditions. Here at the Tiny Desk, the saxophonist revisits that history with four remarkable songs from the album, all performed with a hope that our country's future will be less painful than its past.

"This is me coming back full circle in my life," Dee Dee Bridgewater told NPR right before this Tiny Desk performance. Ever since her teenage years, she's wanted to make her latest album, Memphis... Yes, I'm Ready. Now, a gorgeous 67 years young, Bridgewater is connecting openly with her roots, her birthplace and the town she's loved all her life.

Singer, songwriter, poet, educator and community organizer Jamila Woods is also a freedom fighter: a voice that celebrates black ancestry, black feminism and black identity. "Look at what they did to my sisters last century, last week," goes a line from "Blk Girl Soldier," her powerful opening number at the Tiny Desk.

They drove into the NPR garage crammed into an extended cargo van, 9 feet tall, instruments and luggage packed all the way to the ceiling. They didn't use all of that gear, but even on this mainly acoustic, stripped-down set, Lo Moon radiated a signature sound — intimate and demonstrative, haunting yet uplifting, an old-fashioned rock beat under glimmering guitar and keys, overlaid with beautiful, textured vocals.

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