Stephen Thompson

Stephen Thompson is an editor and reviewer for NPR Music, where he writes the advice column The Good Listener, fusses over the placement of commas and appears as a frequent panelist on All Songs Considered. Since 2010, Thompson has been a fixture on the weekly NPR roundtable podcast Pop Culture Happy Hour, which he created and developed with NPR correspondent Linda Holmes. In 2008, he and Bob Boilen created the NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk.

In 1993, Thompson founded The Onion's entertainment section, The A.V. Club, which he edited until December 2004. In the years since, he has provided music-themed commentaries for the NPR programs Weekend Edition Sunday, All Things Considered and Morning Edition, on which he earned the distinction of becoming the first member of the NPR Music staff ever to sing on an NPR newsmagazine. (Later, the magic of AutoTune transformed him from a 12th-rate David Archuleta into a fourth-rate Cher.) Thompson's entertainment writing has also run in Paste magazine, The Washington Post and The London Guardian.

During his tenure at The Onion, Thompson edited the 2002 book The Tenacity Of The Cockroach: Conversations With Entertainment's Most Enduring Outsiders (Crown) and copy-edited six best-selling comedy books. While there, he also coached The Onion's softball team to a sizzling 21-42 record, and was once outscored 72-0 in a span of 10 innings. Later in life, Thompson redeemed himself by teaming up with the small gaggle of fleet-footed twentysomethings who won the 2008 NPR Relay Race, a triumph he documents in a hard-hitting essay for the book This Is NPR: The First Forty Years (Chronicle).

A 1994 graduate of the University of Wisconsin, Thompson now lives in Silver Spring, Md., with his two children, his girlfriend, their four cats and a room full of vintage arcade machines. His hobbies include watching reality television without shame, eating Pringles until his hand has involuntarily twisted itself into a gnarled claw, using the size of his Twitter following to assess his self-worth, touting the immutable moral superiority of the Green Bay Packers and maintaining a fierce rivalry with all Midwestern states other than Wisconsin.

When PWR BTTM takes the stage, it doesn't take long to figure out what you're going to get. From the first glitter-smeared seconds of the set-opening "Silly," the band came to shred and swagger with infectious joy, complete with backbends and solos and spangly outfits — at least one of which wouldn't survive the band's set at Stubb's BBQ in Austin, Texas, recorded live for NPR Music Wednesday night.

If you've only heard Lizzo's hit "Good As Hell" — and if you haven't, listen now, I'll wait — you might think the Twin Cities singer is a funny and ingratiating but fairly straightforward purveyor of self-affirmation and charismatic confidence. But as her joyful and explosive live show unfolded, complete with the arrival of the ecstatic backup dancers she calls "The Big Girls," it became clear that Lizzo has something more powerful going on.

"I'm ready for the world," Alynda Lee Segarra sings in the chorus of the rousing "Hungry Ghost" — and her band's set told that simple truth again and again. In the past seven or eight years, Hurray For The Riff Raff has blossomed slowly but fully, transforming its sound from intense-but-delicate one-woman bedroom recordings to the rip-roaring full-band jams that dominated the group's set at Stubb's BBQ in Austin, Texas, recorded live for NPR Music Wednesday night.

Like many awards shows, the Grammys are about more than just honoring artistic achievement: They're also about anointing ambassadors for a music industry that's forced to evolve as quickly and constantly as trends and technology mandate. Of course, the awards also attempt to represent dozens of far-flung genres, from traditional pop to EDM to country to jazz to Latin music to classical to rap and beyond.

February isn't exactly the best month, what with all the cold weather, limited daylight, copious awards shows, New England Patriots Super Bowl victories, and Valentine's Day. So you'd be forgiven for thinking, "The only thing that could truly articulate my pain is a band in which puppets sport eyeliner and sing a song called "I Am Sad And So Am I."

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