Robin Hilton

Robin Hilton is the producer and co-host for the popular NPR Music show All Songs Considered.

In addition to his work on All Songs, Hilton curates NPR Music's First Listen series, a weekly showcase of select albums you can read about and hear in their entirety before they're officially released.

Prior to joining NPR in 2000, Hilton co-founded Small Good Thing Productions, a non-profit production company for independent film, radio and music in Athens, GA.

Hilton lived and worked in Japan as an interpreter for the government, and taught English as a second language to junior high school students.

From 1989 to 1996, Hilton worked for NPR member stations KANU and WUGA as a senior producer and assistant news director and was a long-time contributing reporter to NPR's daily news programs All Things Considered and Morning Edition.

Hilton is also a multi-instrumentalist and composer. His original scores have appeared in work from National Geographic, Center Stage and in films, including the documentary Open Secret. Hilton also arranged and performed the theme for NPR's Weekend All Things Considered. You can hear more of his music here.

Along the way, Hilton worked as an emergency room orderly, a blackjack dealer and a fruitcake factory assembly lineman.

In the summer of 1997, when All Things Considered host Linda Wertheimer sat down with Colin Greenwood and Ed O'Brien of Radiohead to talk about the band's new album OK Computer, it sounds (in retrospect) like none of them – not our host nor the guys in the band – entirely knew what they were sitting on. O'Brien and Greenwood cracked jokes, gently brushed off questions they didn't care to get into and attempted to explain why this album was so different from the band's previous two releases.

Grandaddy frontman Jason Lytle has always been more comfortable with machines than people. It's a dynamic he's well-documented, and even romanticized, in his work, with tales of misfit characters and their troubled relationships with everything from robots to appliances. Perhaps it's because mechanical friendships don't require much of an emotional investment — they're not built on a lot of open and earnest discussions.

The music of Perfume Genius can be intense, shuddering with a breathtaking fragility — but also shimmying with self-assured defiance. The songs, much like Hadreas himself, are strong, but not hard. As he worked his way through two new tracks ("Valley," "Slip Away") and one older ("Normal Song"), there were moments that were both beautiful and unnerving, in no small part because the songs are so deeply personal.

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