Nate Chinen

What kind of man is Gregory Porter? As it happens, he's already told us himself. "I'm a real good man," he sang in "Real Good Hands," one of a handful of sturdily built original songs from his 2012 album, Be Good. He was extending a suitor's reassurance there, addressing a future father-in-law. But we were invited to listen in and draw our own conclusions.

The music of pianist and composer Abdullah Ibrahim conveys an extraordinary depth in stillness. More than perhaps any other improvising artist, he knows how to turn the solitary act of introspection into a communal experience that's both transporting and immersive.

Thelonious Monk, the incomparably influential jazz composer and pianist, would have turned 100 today, and across the country a healthy range of commemorative tributes is already underway. But the flagship event that bears his name has quietly been put on hold: the next Thelonious Monk International Jazz Competition, which at one point had been scheduled for this week at the Kennedy Center in Washington, will not happen in 2017.

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