Mark Jenkins

The wildly inventive Dave Made a Maze creates a fantastic universe on a tiny budget, using mostly cardboard. Yet although it's a scrappy indie, the movie has something in common with many platinum-plated CGI blockbusters: The visuals are as strong as the script is feeble.

In After Love's opening scene, the handheld camera observes Marie (Bérénice Bejo) as she arrives home with her 8-year-old twins, Jade and Margaux (Jade and Margaux Soentjens). But we viewers don't follow them from the street, through the pleasant garden and into the tasteful first-floor apartment. We're already inside, awaiting them in the place nearly all of the film is set.

Imagine Lost In Translation set in a much sleepier metropolis than Tokyo. That's Columbus, which derives its title from its Indiana locale, a small city known for many buildings designed by notable modernist architects.

"Why choose to be unhappy?"

Gabrielle (Marion Cotillard), the protagonist of From the Land of the Moon, addresses that question to the man who's agreed to marry her. But it might just as well be directed to Gabrielle herself, or to veteran French writer-director Nicole Garcia, because both sink into sorrow as if it were a feather bed.

Although Valerian and the City of a Thousand Planets is visually overstuffed and sometimes cloaked in darkness, one thing is easy to see: how its principal setting, the sprawling space-station Alpha, parallels writer-director Luc Besson's utopian filmmaking vision.

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