Mark Jenkins

"How much trouble can one poet be?" That's literature professor John Malcolm Brinnin's rhetorical response to his buttoned-way-down colleagues' fears about a writer's proposed visit to New York in 1950. Today, the query can't be heard as anything other than an inside joke. For the poet is Dylan Thomas, who was trouble for most of his 39 years.

Wouldn't it be nice if Beach Boy Brian Wilson's troubled life were as easily understood as Love & Mercy makes it appear? Where the Pet Sounds auteur is known for multi-part harmonies, director Bill Pohlad's biopic is a series of simple duets.

French director Anne Fontaine's Gemma Bovery is a comic reworking of Madame Bovary, but that's merely the first of the movie's several layers. The bilingual film is adapted not from Flaubert's classic but from British cartoonist Posy Simmonds' graphic novel, set in contemporary times and with the Boverys as a London couple that just relocated to Normandy.

Cary Fowler is an easygoing, soft-spoken Tennessee native who travels the world with an urgent message: The human race may starve to death. If that threat becomes likely, however, people can turn to the biological archive that director Sandy McLeod's documentary calls The Seeds of Time.

At the beginning of Forbidden Films, documentarian Felix Moeller's camera warily contemplates a fortified bunker. The contents are, a curator warns, "literally explosive" — Nazi propaganda films on highly flammable nitrocelluloid stock.

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