Heller McAlpin

Back in 2006, Minna Zallman Proctor was hit by a landslide of woes that left her reeling. Heavily pregnant with her first child, she was going through a divorce from the child's father while her own mother was dying after 15 years of fighting various cancers. What made matters more painful was that some of her troubles were of her own making: She'd had an affair with another man, and had chosen to leave her husband for him.

Nicole Krauss' fourth novel, a cerebral, dual-stranded tale of disillusionment and spiritual quest, proves heavy going for its characters — and its readers. Her two protagonists, a powerful, 68-year-old Manhattan attorney and philanthropist named Jules Epstein, and a celebrated novelist on the cusp of 40 named Nicole, have come to question the aridity of their lives. Both believe they'll find relief and transformation in Israel, a land of "never-ending argument" that also offers them abundant time and light in which to examine things more deeply.

Although I was put off by the Hitlerian title and massive self-absorption of Karl Ove Knausgaard's six-volume, 3,600-page confessional novel, My Struggle, accolades from trusted colleagues convinced me to set it aside for a rainy day — which, truthfully, might mean the next Flood. In the meantime, I picked up Autumn, the first in a planned seasonal quartet of meditative reflections, with hopes that it would provide a more modest, accessible introduction to Knausgaard's work. More modest, yes.

Writers are drawn to oddballs and outsiders, in much the way that dogs out for a walk veer toward fellow canines. The endearing pre-adolescent narrator of Camille Bordas' novel, How To Behave in a Crowd, is the youngest of six siblings growing up in a small French village. He's the odd man out because he's the most normal of the lot: All of his older sisters and brothers have skipped multiple grades, and three of them earn PhDs during the course of this book.

"Life is not a novel. Or at least you would like to believe so." That's how Laurent Binet opens his audacious second novel, an intellectual romp about the many ways language exerts power, particularly in politics and fiction.

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