Glen Weldon

This article discusses several plot elements of the original Twin Peaks television series, the 2016 book The Secret History of Twin Peaks, as well as this summer's Showtime mini-series, Twin Peaks: The Return.

Twin Peaks — the show and the cultural phenomenon around it — began life as the co-creation of two starkly different men: filmmaker David Lynch and writer Mark Frost.

Let's begin with a sweeping, simplistic and grossly unfair generalization: David Lynch is an artist. Mark Frost is a storyteller.

The television police procedural is a genre, and like any genre, it makes an implicit contract with its audience.

Chiefly, that contract is about plot. Here's what you'll get, it says. Each episode, a crime will be committed, investigated with a certain amount of technical detail, and ultimately solved. That's it. We may introduce some embellishments — a chewy performance here, an out-of-left-field twist there, or maybe a tiny amount of character development — but week in and week out, we'll stick to the parameters.

There is a moment about fifteen minutes into the premiere of the eight-episode Netflix series American Vandal when I knew it had its hooks in me.

It's a scene in which two student documentary filmmakers — Peter (Tyler Alvarez) and Sam (Griffin Gluck) — are examining evidence.

Near the midpoint of director Dome Karukoski's Tom of Finland, artist Touko Laaksonen (Pekka Strang) sits on a bench, catching up with the man who was once his superior officer when they served in the Finnish army during World War II, years before.

"We've started a motorcycle club," he says. Pauses."Without the motorcycles."

"Regaining sanity in a mental hospital is like treating a migraine at a rave."

It's a good line, and one that has the added benefit of being true. Zack McDermott should know; he's been through a few stints at mental institutions as a consequence of his bipolar disorder, which he chronicles, with an affable and often rueful wit, in Gorilla and the Bird: A Memoir of Madness and a Mother's Love.

Writer Jaime Lowe also lives with bipolar disorder; she shares her story — and a great deal more — in Mental: Lithium, Love and Losing My Mind.

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