Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Boilen's first book, Your Song Changed My Life, was published in April 2016 by HarperCollins.

I went from really loving the music of Superorganism to being a transformed super-fan the moment they sent me an email ahead of their Tiny Desk performance asking, "is it okay if we [bring] inflatable whales when we play?" Now I feel like the kind of fan I was when I wore a yellow radiation suit to a Devo concert in 1978.

Ten years ago today — on April 22, 2008 — NPR Music published our first Tiny Desk concert. Laura Gibson was the inspiration, and the event that sparked the idea of concerts at my desk came from NPR Music's Stephen Thompson. He and I were at the SXSW Music Festival, at one of those lousy shows where the audience chatter was louder than the performer.

When you hear John Moreland's sweet voice, it's hard to believe he spent years singing in punk, metal-core and hardcore bands. You can still hear that passion in his music, only now it's punctuated by his acoustic guitar.

Just a year ago, after sifting through almost seven-thousand video entries to the Tiny Desk Contest, we discovered Tank and the Bangas. The band would go on to win the Contest and the response was one of overwhelming joy. The way this New Orleans group blends hip-hop, R&B, poetry, jazz and rock is unlike anything I'd seen before and I wasn't alone.

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